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	<title>Safety First &#187; assessment</title>
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	<description>strategies towards minimizing danger in improvisation</description>
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		<title>Safety First &#187; assessment</title>
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		<title>marking criteria December 2008</title>
		<link>http://safetyfirst173.wordpress.com/2008/11/24/marking-criteria-december-2008/</link>
		<comments>http://safetyfirst173.wordpress.com/2008/11/24/marking-criteria-december-2008/#comments</comments>
		<pubDate>Mon, 24 Nov 2008 21:59:25 +0000</pubDate>
		<dc:creator>han</dc:creator>
				<category><![CDATA[class diary]]></category>
		<category><![CDATA[resources]]></category>
		<category><![CDATA[assessment]]></category>
		<category><![CDATA[marking criteria]]></category>

		<guid isPermaLink="false">http://safetyfirst173.wordpress.com/?p=264</guid>
		<description><![CDATA[update 26–Nov–08: change “pass (40+ grade)” to “3rd (45-49)”.
Here’s my take on our marking criteria for the forthcoming performance. Please leave comments.

40% continuous assessment
60% exam/performance

Of this, I’ll deal only with the latter in this article. This exam/performance breaks down as follows:

70% tactics and interaction

of which 10% (10/70) is specifically dealing with volume/dynamics


30% stage craft

some hypothetical [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=safetyfirst173.wordpress.com&blog=4950127&post=264&subd=safetyfirst173&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p><strong>update 26–Nov–08: change “pass (40+ grade)” to “3rd (45-49)”.</strong></p>
<p>Here’s my take on our marking criteria for the forthcoming performance. <strong>Please leave comments.</strong></p>
<ul>
<li>40% continuous assessment</li>
<li>60% exam/performance</li>
</ul>
<p>Of this, I’ll deal only with the latter in this article. This exam/performance breaks down as follows:</p>
<ul>
<li>70% tactics and interaction
<ul>
<li>of which 10% (10/70) is specifically dealing with volume/dynamics</li>
</ul>
</li>
<li>30% stage craft</li>
</ul>
<h3>some hypothetical examples</h3>
<h4>1st (70+ grade)</h4>
<ul>
<li>tactics and interaction: the performer…
<ul>
<li>deploys a variety of strategies,</li>
<li>imaginatively selected (generally avoids obvious responses),</li>
<li>each creating a complex group sound, and</li>
<li>dynamically tests/interacts with the group.</li>
</ul>
</li>
<li>stage craft: the performer…
<ul>
<li>exudes confidence and</li>
<li>there are few, if any, moments of uncertainty.</li>
</ul>
</li>
<li>volume/dynamics: the performer…
<ul>
<li>demonstrates the full dynamic spectrum of their instrument, but</li>
<li>is mindful of the capabilities of the others (though not hampered by them).</li>
</ul>
</li>
</ul>
<h4>2.1 (60+)</h4>
<ul>
<li>tactics and interaction:
<ul>
<li>a few strategies,</li>
<li>generally avoids obvious responses,</li>
<li>contributing intelligently to a group sound, but</li>
<li>often does not drive the group.</li>
</ul>
</li>
<li>stage craft:
<ul>
<li>mostly confident, but</li>
<li>there are moments of uncertainty.</li>
</ul>
</li>
<li>volume/dynamics:
<ul>
<li>mindful of the capabilities of the other, and</li>
<li>partially explores the dynamic range.</li>
</ul>
</li>
</ul>
<p>You get the idea, so I’ll skip down to…</p>
<h4>3rd (45-49) <span style="text-decoration:line-through;">pass (40+ grade)</span></h4>
<ul>
<li>tactics and interaction:
<ul>
<li>one consistent strategy, which is</li>
<li>obvious, and</li>
<li>follows the group rather than driving it.</li>
</ul>
</li>
<li>stage craft:
<ul>
<li>appears largely uncertain or apologetic.</li>
</ul>
</li>
<li>volume/dynamics: the performer…
<ul>
<li>does not drown anyone out, but</li>
<li>plays <em>mp/mf</em> all the time.</li>
</ul>
</li>
</ul>
<h4>fail (40- grade)</h4>
<ul>
<li>tactics and interaction:
<ul>
<li>…strategy… er, what am I doing here?</li>
<li>where’s the rest of the group?</li>
</ul>
</li>
<li>stage craft:
<ul>
<li>really does not belong on stage.</li>
</ul>
</li>
<li>volume/dynamics: the performer…
<ul>
<li>drowns people out and/or plays at one dynamic level consistently…</li>
</ul>
</li>
</ul>
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			<media:title type="html">han</media:title>
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		<title>marking criteria 2006</title>
		<link>http://safetyfirst173.wordpress.com/2008/11/20/marking-criteria-2006/</link>
		<comments>http://safetyfirst173.wordpress.com/2008/11/20/marking-criteria-2006/#comments</comments>
		<pubDate>Thu, 20 Nov 2008 15:15:23 +0000</pubDate>
		<dc:creator>han</dc:creator>
				<category><![CDATA[class diary]]></category>
		<category><![CDATA[resources]]></category>
		<category><![CDATA[assessment]]></category>
		<category><![CDATA[marking criteria]]></category>

		<guid isPermaLink="false">http://safetyfirst173.wordpress.com/?p=250</guid>
		<description><![CDATA[For your reference, here is the marking criteria that the Safety First class used in 2006. This is for reference only: we are not using this criteria.


40% continuous assessment
60% exam/performance

this latter divides into

stage presence, presentation, etiquette, theatre

whether the student has convincing stage presence
is audience aware
can manipulate the audience


overall quality of the group improvisation (and demonstration [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=safetyfirst173.wordpress.com&blog=4950127&post=250&subd=safetyfirst173&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p>For your reference, here is the marking criteria that the Safety First class used in 2006. <strong>This is for reference only: we are not using this criteria.</strong></p>
<blockquote>
<ul>
<li>40% continuous assessment</li>
<li>60% exam/performance</li>
</ul>
<p>this latter divides into</p>
<ol>
<li>stage presence, presentation, etiquette, theatre
<ul>
<li>whether the student has convincing stage presence</li>
<li>is audience aware</li>
<li>can manipulate the audience</li>
</ul>
</li>
<li>overall quality of the group improvisation (and demonstration of a sophisticated take on social structures)
<ul>
<li>was it good?</li>
<li>was it entertaining?</li>
<li>was it interesting?</li>
<li>was it crafty?</li>
<li>was it weird?</li>
<li>was it waaaaaaay out there?</li>
<li>can I get a recording of that?</li>
</ul>
</li>
<li>individual musicianship
<ul>
<li>[musical responsibility]
<ul>
<li>[demonstrate an awareness of the consequences of actions]</li>
<li>able to adapt to unexpected stimuli</li>
</ul>
</li>
<li>listening (stimulus and response)
<ul>
<li>student thinks outside the box (experimental)</li>
<li>their responses to stimuli is well judged, but is not-mannered</li>
</ul>
</li>
</ul>
</li>
<li>participation
<ul>
<li>amount of playing vs the quality of the contributions. in other words, you can play very little, as long as that little kicks butt</li>
</ul>
</li>
</ol>
<p>70-80    1st<br />
60-69    2.1<br />
50-59    2.2<br />
45-49    3rd<br />
40-44    pass<br />
35-39    fail (near)<br />
0-34    fail (abject)</p></blockquote>
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			<media:title type="html">han</media:title>
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